Halfway to Sanity

Halfway to Sanity: Inaugural Group Exhibition

February 24 - April 6, 2024

The Pit Los Angeles

3015 Dolores Street, Los Angeles CA 90065

CHECKLIST

 “I’m just gonna do it…fuck it.”

The press release for The Pit’s inaugural exhibition described Los Angeles as “sprawling, isolated, and connected all at once.” Just a few years earlier, in the 2005 book LA Artland, Jan Tumlir pointed out how in contemporary art, the LA school is known to search “farther and wider than most.” It is perhaps the ontology of the city and the breadth of its cultural output that has fertilized its interstices and allowed radical departures from tradition and DIY compulsions to take root and flourish. 

Through its programming, The Pit, from its inception, has not only flattened presumed hierarchies between emerging and established artists, but it has also reached outwards to LA’s provinces, culling distinct voices from the high desert and beyond. Artists who may have been overlooked, or have fallen into obscurity, or who have developed visual languages beyond the influence of galleries and grad schools, as well as those who have earned audiences along those routes, have shared space, manifesting LA’s spirit and the ethos of The Pit’s founders that was established long before the original Glendale location even opened the doors.

In an interview from 2019 on the occasion of The Pit’s five-year anniversary, Adam Miller and Devon Oder reflected on the gallery’s origins. Both having attended ArtCenter College of Design’s Grad Art program and entering the fray just in time for the 2008 collapse, the exigencies of economic adversity added an unexpected twist. Established galleries were shuttered and prospects shrank. With a long history of doing whatever it takes as a musican and organizer, supplemented by a few years of curation, Miller summed up what he felt when artist Laura Owens launched the celebrated and sorely missed 356 Mission gallery in 2013: Just get rid of these old ideas of what artists should, and shouldn’t do, and just be like, “I’m just gonna do it, and fuck it.”

The first several exhibitions at the original Glendale space were group shows, laying a fertile field for cross-pollination and new collaborations. These group shows placed the known alongside the unknown. The second show, curated by Roger Herman, exhibited work by his own students at UCLA. Armed with an in-house risograph, exhibitions begat writing, publications, community, craft…all reveling in the spontaneity and compulsion of a DIY, community-oriented ideology. Miller and Oder, restless renovators, expanded the space for new projects, always leaning towards collaboration, always doing something with any available space, eventually expanding into three galleries: two in Glendale, and one in Palm Springs, which opened in 2021. The inaugural group show in the new Atwater space continues in the spirit of The Pit’s credo, bringing together dozens of artists who have appeared in the gallery over the past decade as well as introducing new artists who will appear in the gallery’s future programming.

The DIY mentality that is embedded in The Pit’s origins isn’t about rugged individualism. It is a means of subverting the hierarchies of institutionalized modes of artistic production that often only lead to exclusion. Having passed the former Glendale location on to another artist-run gallery, Gattopardo, the new Atwater location offers yet more space to expand into and do something with, to make things visible. This new command center avails space for expansive exhibitions, printed matter, and events, embodying the sprawling, isolated, connective qualities of LA at large.

– Reuben Merringer

Artists List:

Donald Baechler, Chase Barney, Emily Yong Beck, Laura Berger, Amy Bessone, Chase Biado, Keith Boadwee, Jonathan Casella, Isabella Cuglievan, Aaron Curry, Heather Day, Amir H. Fallah, Howard Fonda, Bella Foster, Viola Frey, Erik Frydenborg, Joel Gaitan, Gabrielle Garland, Daniel Gibson, Tamara Gonzales, James Goss, Julia Haft-Candell, Trulee Hall, Nasim Hantehzadeh, Annie Hémond Hotte, Roger Herman, Raymie Iadevaia, Sam Jablon, Shaun Johnson, Kelly Lynn Jones, Jennifer King, Craig Kucia, Sophie Larrimore, Jennie Jieun Lee, Shana Lutker, Emily Marchand, Liz Markus, Tony Marsh, Anthony Miler, Roscoe Mitchell, Emmett Moore, Richard Nam, Laurie Nye, Laura Owens, Jonathan Pylypchuk, Umar Rashid, Heather Rasmussen, Jennifer Rochlin, Amanda Ross-Ho, Adrianne Rubenstein, Conrad Ruiz, Sterling Ruby, Blair Saxon-Hill, Ryan Schneider, Allison Schulnik, Mindy Shapero, Nora Shields, Andrew Sexton, Magnus Sodamin, Devin Troy Strother, Joani Tremblay, James Ulmer, David "MrStarCity" White, and Maryam Yousif.

Donald Baechler, Town Without Talk , 2015, Acrylic and fabric collage on canvas, 40 x 40 in.

Emily Yong Beck, Patina Pot, 2023, Stoneware, Glaze and Underglaze, 12½ x 10 x 11 in.

Laura Berger, Lie Down In The Light, 2023, Oil on canvas, 68 x 58 in.

Amy Bessone, Our Lady of the Rocks (Gold Tits), 2020, 2022-2023, cast 2023, Bronze, oil paint, each treated uniquely, 11 1/4 x 7 3/4 x 2 in.

Chase Biado, Walk in the park, 2023, Oil on linen, 60 x 48 in.

Jonathan Casella, Marfa Side Show, 2023, Oil and acrylic on panel, 17 x 13 in.

Aaron Curry, Trolling trolls, 2020, Acrylic, vinyl, wood, LED, and Plexiglas, 29½ x 41½ x 2½ in.

Amir H. Fallah, SILENT TRAVELER, 2022, Stained and fused glass, lead, aluminum frame, custom led panel, 42⅞ x 32⅝ x 1⅝ in.

Howard Fonda, Untitled (peacocks with plum blossoms), 2023, Oil on canvas, 48 x 36 in.

Bella Foster, Patchouli, 2019, Watercolor on paper, (metric): 24.1 x 20.3 cm; (imperial): 9.5 x 8 in

Bella Foster, Cup, Owl, Vision, 2023, Watercolor on paper, 8 x 6 in.

Viola Frey, Untitled (Abstract White Head, Grey Mouth), 1975-1985, Ceramic and glazes, 15½ x 7 x 6 in.

Erik Frydenborg, Daaamaaa-Daaamaaa, 2024, Acrylic on basswood, 52 x 48 x 5 in.

Gabrielle Garland, Untitled, 2023, Acrylic on canvas, 48 x 48 in.

Tamara Gonzales, Brooklyn Gemini, 2024, Acrylic and spray paint on canvas, 60 x 48 in.

Julia Haft Candell, Eyes with Chain, 2023, Ceramic, gold, bronze, 21 x 26 x 8 in.

Nasim Hantehzadeh, The Big Loud Noise , 2024, Oil and oil stick on linen, 51½ x 43¼ in.

Roger Herman, TBD, 2023, Ceramic, 22 x 20 x 20 in.

Sam Jablon, Erased, 2023, Oil on linen, 60 x 50 in.

Shaun Johnson, The Suite, 2023, Oil on panel and paper clay in a cradled artist’s frame., 14 x 15¾ in.

Jennifer King, Paradise is a construct, 2023, Glazed ceramic, 28 x 11 x 10 in.

Sophie Larrimore, Silver Grass, 2024, Watercolor, colored pencil, and pen on paper, 16½ x 11⅝ in.

Jennie Jieun Lee, 9, 2022, Wheel-thrown porcelain, glaze, 13 x 7 x 7⅜ in.

Emily Marchand, sunset passionfruit and lanterns, 2023, Stoneware, glaze, underglaze, 6½ x 7¾ x 7¾ in.

Emily Marchand, Night Blooms (bats), 2023, Stoneware, glaze, underglaze, 9 x 6½ x 5¾ in.

Emily Marchand, Twilight Embrace (vulture and swan), 2023, Stoneware, glaze, underglaze, 13½ x 11 x 11 in.

Tony Marsh, Cauldron, 2024, Glazed Ceramic, 15 x 9 in

Tony Marsh, Neo-Crucible , 2024, Glazed ceramic, 25 x 18 x 18 in.

Roscoe Mitchell, Horse, 2023, Acrylic on canvas board, 12 x 12 in.

Roscoe Mitchell, Let’s Take a Ride, 2023, Acrylic on canvas board, 12 x 12 in.

Emmett Moore, Ripple, 2023, 20 x 16 in.

Richard Nam, Swedish White Styraco , 2023, 12 x 14¼ x 7 in.

Heather Rasmussen, Hanging placenta with lettuce, shell and squash, 2023, Pigment print, 50 x 40 in.

Jonathan Pylypchuk, accumulating these subtle catastrophes, 2024, Wood, spray foam, spray paint, bike tire, polyurethane, wire, hammer, nails, 54 x 80 x 36 in.

Umar Rashid, Radiocat ive!, 2021, Acrylic on canvas, 20 x 20 x 1½ in.

Jennifer Rochlin, Yucca Valley with Gina, 2023, Ceramic with glaze, 22 x 17 x 14 in.

Adrianne Rubenstein, Parallel Grass, Oil on canvas, 60 x 72 in.

Sterling Ruby, PONTIFEX (Edition 2/3), 2016, Bronze with silver nitrate patina, 38½ x 32½ x 16¾ in.

Ryan Schneider, Jester, Fool, or Joker, 2024, Oil on wood, 69 x 12 x 12 in.

Mindy Shapero, Portal scar, The awakening of the human fractal, 2024, Acrylic, gold and silver leaf on linen, 60 x 72 in.

Magnus Sodamin, Raindance, 2023, Oil on linen, 72 x 50 in.

Devin Troy Strother, dog day afternoon, 2024, Oil, acrylic and painted resin on board, 12 x 15 in.

James Ulmer, Piece, Peace, 2023, Acrylic, Fluorescent Acrylic, Flashe on Poly cotton canvas, 54 x 45 in.

Maryam Yousif, Bejeweled Palm, 2023, Glazed stoneware, 18.5 x 7.5 x 7.5 in.

Chase Barney, Captured Beauty, 2023, Glazed ceramic, 20 x 17 x 15 in.

Emily Yong Beck, Pikachu, 2023, Stoneware, Glaze and Underglaze, 22 x 17 x 17 in.

Amy Bessone, Pink Jade Green Sculpture Garden (prequel), Oil on canvas, 16 x 12 in.

Keith Boadwee, Primal Scream, 2024, Oil on canvas, 84 x 66 in.

Isabella Cuglievan, Full Sun, 2024, Acrylic ink on cotton, 26 x 20 in.

Heather Day, Magnetic Plains, 2023, Mixed media on canvas, 56 x 72 in.

Amir H. Fallah, Fragments of the Past, 2023, Acrylic on canvas, 40 x 26 in.

Howard Fonda, Untitled (mallards), 2023, Oil on canvas, 36 x 48 in.

Bella Foster, Free Throws, Watercolor and gouache on paper, 8½ x 6 in.

Bella Foster, Shape of Time, 2019, Watercolor on paper, (metric): 24.1 x 20.3 cm; (imperial): 9.5 x 8 in

Viola Frey, Untitled (Bricolage, Man Holding Mother and Child), 1985-1987, Ceramic and glazes, 36½ x 25 x 12 in.

Joel Gaitan, Hija De Tu Madre (Chak Chel), 2023, Terracotta and Gold Luster, 24 x 26 x 16 in.

Daniel Gibson, Staring through the mountain of bones, 2024, Oil and oil stick on paper, 38 x 24 in.

James Goss, Today and Tomorrow, 2022, Oil on canvas, 72 x 72 in.

Trulee Hall, Dripping Pose, 2021, Acrylic, oil and collage on board, 60 x 48 in.

Annie Hémond Hotte, Labyrinth Woman at Twilight, 2024, Oil paint on canvas, 24 x 29½ in.

Raymie Iadevaia, By Sundown, 2024, Oil on wood panel, 72 x 60 in.

Shaun Johnson, Harbinger, 2023, Acrylic on linen-stretched panel and paper clay., 13½ x 19 in.

Kelly Lynn Jones, If I close my eyes everything is ok, 2023, Acrylic and oil on canvas, 44 x 32 in.

Craig Kucia, Untitled, 2024, Oil on canvas, 14 x 18 in.

Jennie Jieun Lee, 17, 2022, Wheel-thrown porcelain, glaze, 9 x 6¾ x 7 in.

Jennie Jieun Lee, 12, 2022, Wheel-thrown porcelain, glaze, 9¾ x 5¾ x 6¾ in.

Emily Marchand, Night Blooms (monarch), 2023, Stoneware, glaze, underglaze, 8½ x 5 x 5½ in.

Shana Lutker, Rebus 2 (Esteem), 2024, Cut vinyl, 96 x 72 in.

Emily Marchand, snake in the garden (for Viola), 2023, Stoneware, glaze, underglaze, 11¾ x 11 x 10¾ in.

Emily Marchand, Evening Pansies, 2023, Stoneware, glaze, underglaze, 11½ x 6½ x 6 in.

Emily Marchand, Midnight Citrus, 2023, Stoneware, glaze, underglaze, 9½ x 10 x 10 in.

Liz Markus, BMW Over Porsche GT, 2023, Acrylic on canvas, 59 x 47 in.

Tony Marsh, Crucible , 2024, Glazed ceramic, 12 x 12 x 12 in

Anthony Miler, Not Titled, 2023, Acrylic and oil on canvas, 49½ x 56½ in.

Roscoe Mitchell, Rabbit, 2023, Acrylic on canvas board, 12 x 12 in.

Emmett Moore, Ripstop, 2023, 24 x 18 in.

Emmett Moore, Marble, 2023, 14 x 11 in.

Laurie Nye, Momma’s Turquoise Bouquet, 2023, Oil on linen, 24 x 18 in.

Laura Owens, Untitled, 2016, Oil, Flashe, thread and collage on linen, 14 x 10¼ in.

Heather Rasmussen, Thonet rocker with Dad’s squash on ruby, 2022, Pigment print, 30 x 40 in.

Amanda Ross-Ho, Untitled Crisis Actor (This pain is UNBEARABLE overwhelming We will not want to move. We will be in tears this is our breaking point), 2018, Canvas, satin, basket weave cotton, textured vinyl, specialty knit fleece, batting, thread, safety pins, 58¼ x 56¾ in.

Conrad Ruiz, Just another lonely night, 2023, Watercolor on paper, 18 x 24 in.

Blair Saxon-Hill, Sunflowers in a Red Room, 2024, Oil on canvas, 44 x 33 x 1 1/4 in.

Blair Saxon-Hill, Love note, 2024, Oil on canvas, 44 x 33 x 1¼ in.

Allison Schulnik, San Pedro & Oleander, 2023, Oil on canvas stretched over board, 40 x 30 in.

Nora Shields, She noticed that time, 2024, House paint, Automotive Acrylic on aluminum on a plywood back, 64 x 71 x 7 in.

Andrew Sexton, Southwest of Heaven, 2024, Aluminum, lava rocks and cactus, 58 x 16 x 20 in.

Devin Troy Strother, top of the shelf, 2024, Oil, acrylic and painted resin on board, 13 x 17 in.

Joani Tremblay, To Live in Two Worlds (Mount San Jacinto), 2024, Oil on linen, 48 x 40 in.

David "MrStarCity" White, So Much Love To Give, 2023, Acrylic and mixed media on canvas, 60 x 48 in.

Maryam Yousif, Habibti Bejeweled III, 2023, Glazed stoneware, 23 x 17 x 6 in.